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Zinnkrug Pintura Identificación:: 96876
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Zinnkrug 1877(1877)
Medium oil on canvas
Dimensions 61 X 51.5 cm (24 X 20.3 in)
cyf 1877(1877)_
Medium_oil_on_canvas_
Dimensions_61_X_51.5_cm_(24_X_20.3_in)_
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Wildente und Emailtopf Pintura Identificación:: 96902
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Wildente und Emailtopf oil on canvas
Dimensions 58 X 73 cm
cyf oil_on_canvas_
Dimensions_58_X_73_cm_
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Spankorb und Tontopf Pintura Identificación:: 96903
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Spankorb und Tontopf after 1888(1888)
Medium oil on canvas
Dimensions 64.5 X 80.5 cm
cyf after_1888(1888)_
Medium_oil_on_canvas_
Dimensions_64.5_X_80.5_cm__
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Bemooste Felsblocke im Wald Pintura Identificación:: 96985
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Bemooste Felsblocke im Wald 1888 (?)
Medium oil on canvas, doubliert
Dimensions 62.5 X 82.7 cm
cyf 1888_(?)_
Medium_oil_on_canvas,_doubliert_
Dimensions_62.5_X_82.7_cm_
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Houses in Ferch by Lake Schwielow Pintura Identificación:: 97259
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Houses in Ferch by Lake Schwielow between 1878(1878) and 1881(1881)
Medium oil on canvas
Dimensions 70 X 84 cm
cyf between_1878(1878)_and_1881(1881)_
Medium_oil_on_canvas_
Dimensions_70_X_84_cm_
cyf
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| Artista Previo Próximo Artista
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Carl Schuch
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(30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes.
During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen). |
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